Romance for 4 Horns and Band

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Additional information

Sound File
Sample Score SHOW PDF
Composer Schumann, Robert
Arranger Beek, Wil van der
Instumentation Brass/ Concert Band/ French Horn/ With Soloist(s)
Grade 3
Duration

4:30

Genre Classical Transcriptions/ Concert Music/ Solo Works
Series

Concert Band Series

Included Parts

F Horn 1
F Horn 2
F Horn 3
F Horn 4
Flute 1, 2
Oboe 1, 2
Bassoon 1, 2
Eb Clarinet
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Eb Alto Clarinet
Bb Bass Clarinet
Eb Alto Saxophone
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
F Horn ad lib.
Trombone 1
Trombone 2
Euphonium
Tuba
Double Bass

Additional parts for Europe

Format

DIN A4

Article

SMP-10-0244

Description

This “Romance” is a movement from the “Konzertstück”, opus 86 for 4 horns and orchestra by the German composer Robert Schumann (1810 – 1856). Around 1850 Schumann was engaged in composing for the horn as a solo instrument. He always had the valve horn in mind and not the natural horn, which was still widely used in those days. This “Konzertstück” is clearly meant for the valve version; all possibilities of this instrument of that time are reflected in it. When it appeared, the work was considered unplayable.

The opening of this lyrical, sensitive “Romance” features question and answer play, especially between the soloists. The middle movement (from bar 39) has a Brahms-like melody, which is introduced by the orchestra and then passed on to the soloists. After a repeat of the first movement, this work concludes with a short coda.

Romance for 4 Horns and Band

This “Romance” is a movement from the “Konzertstück”, opus 86 for 4 horns and orchestra by the German composer Robert Schumann (1810 – 1856). Around 1850 Schumann was engaged in composing for the horn as a solo instrument. He always had the valve horn in mind and not the natural horn, which was still widely used in those days. This “Konzertstück” is clearly meant for the valve version; all possibilities of this instrument of that time are reflected in it. When it appeared, the work was considered unplayable.

The opening of this lyrical, sensitive “Romance” features question and answer play, especially between the soloists. The middle movement (from bar 39) has a Brahms-like melody, which is introduced by the orchestra and then passed on to the soloists. After a repeat of the first movement, this work concludes with a short coda.

Romance for 4 Horns and Band

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