Castilla (Seguidillas)
Ar-gard (Air)

Cordoba (from “Chants d’Espange”)

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Additional information

Sound File
Composer Albeniz, Isaac
Arranger Beek, Wil van der
Instumentation Concert Band
Grade 4
Duration

8:20
Genre Classical Transcriptions/ Concert Music/ Serenades
Series

Concert Band Series
Included Parts

Flute 1, 2
Oboe 1, 2
Bassoon
Eb Clarinet
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Bb Bass Clarinet
Eb Alto Saxophone 1, 2
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
F Horn 1
F Horn 2
F Horn 3
Trombone 1
Trombone 2
Trombone 3
Euphonium
Tuba
Double Bass
Mallet Percussion
Timpani
Percussion

Additional parts for Europe
Format

DIN A4
Article

SMP-10-0227

Description

Isaac Albeniz (1860 – 1909) was an advocate of a Spanish “national” school of composition. He composed a lot for piano, including “Cordoba”, a movement from “Chants d’Espagne” (opus 232, no. 4). Beauty and romance, two charms of the Spanish city of Cordoba, inspired Albeniz to compose this piece, which also became famous in an arrangement for guitar.

“Cordoba” opens with a short introduction, which subtly refers to church bells and Catholic liturgy. Then follows as a contrast a kind of flamenco serenade (from bar 53).

Description

Isaac Albeniz (1860 – 1909) was an advocate of a Spanish “national” school of composition. He composed a lot for piano, including “Cordoba”, a movement from “Chants d’Espagne” (opus 232, no. 4). Beauty and romance, two charms of the Spanish city of Cordoba, inspired Albeniz to compose this piece, which also became famous in an arrangement for guitar.

“Cordoba” opens with a short introduction, which subtly refers to church bells and Catholic liturgy. Then follows as a contrast a kind of flamenco serenade (from bar 53).

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