Entrance Of The Emperor And His Court

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Additional information

Sound File
Sample Score SHOW PDF
Composer Kodály, Zoltán
Arranger Beek, Wil van der
Instumentation Concert Band
Grade 4
Duration

3:00

Genre Classical Transcriptions/ Concert Music/ Fanfare
Series

Concert Band Series

Included Parts

Piccolo
Flute 1+2
Oboe 1+2
Bassoon 1+2
Eb Clarinet
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Eb Alto Clarinet
Bb Bass Clarinet
Eb Alto Saxophone 1+2
Bb Tenor Saxophone
Eb Baritone Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3+4
F Horn 1+2
F Horn 3+4
Trombone 1
Trombone 2
Trombone 3
Euphonium
Tuba
Double Bass
Mallet Percussion
Timpani
Percussion (Snare Drum)
Percussion (Bass Drum/Cymbals)
Percussion (Tambourine)
Percussion (Triangle)

Additional parts for Europe

Format

DIN A4

Article

SMP-10-0230

Description

Zoltán Kodaly (1882 – 1967) was a Hungarian composer and connoisseur of Balkan folk music, especially of his homeland. “Entrance of the Emperor and his Court” is the sixth and last part of the orchestral suite, which Kodaly composed from the entire musical score for the singing play “Hary Janos”. This singing play was written in 1926 and features an ex-soldier, who is recounting his fictional heroic deeds during a war against Napoleon in an inn. The story of Hary Janos is a well-known fairy tale in Hungary. Kodaly wanted to portray this story in a musical way using almost lost Hungarian folk music facets.

“Entrance of the Emperor and his Court” starts right away with chimes and brass. This fanfare-like section emphasizes the so-called triumphs of Hary Janos. Just like the introduction, this piece ends with bells and brass.

The “Hary Janos Suite” has become very popular and is on the repertoire of many orchestras.

Entrance Of The Emperor

Zoltán Kodaly (1882 – 1967) was a Hungarian composer and connoisseur of Balkan folk music, especially of his homeland. “Entrance of the Emperor and his Court” is the sixth and last part of the orchestral suite, which Kodaly composed from the entire musical score for the singing play “Hary Janos”. This singing play was written in 1926 and features an ex-soldier, who is recounting his fictional heroic deeds during a war against Napoleon in an inn. The story of Hary Janos is a well-known fairy tale in Hungary. Kodaly wanted to portray this story in a musical way using almost lost Hungarian folk music facets.

“Entrance of the Emperor and his Court” starts right away with chimes and brass. This fanfare-like section emphasizes the so-called triumphs of Hary Janos. Just like the introduction, this piece ends with bells and brass.

The “Hary Janos Suite” has become very popular and is on the repertoire of many orchestras.

Entrance Of The Emperor

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