TERRESTRIAL & CELESTIAL (Dance I + II)

179.90

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Additional information

Sound File
Composer Kuremanee, Kitti
Instumentation Concert Band
Grade 5
Duration

11:20

Genre Concert Music/ Dance
Series

ASEAN Music Collection

Included Parts

1 Piccolo
2 Flutes 1
2 Flute 2
2 Oboe 1, 2
1 Clarinet in Eb
4 Clarinet 1 in Bb
4 Clarinet 2 in Bb
4 Clarinet 3 in Bb
1 Bass Clarinet in Bb
2 Alto Saxophones 1 in Eb
2 Alto Saxophones 2 in Eb
2 Tenor Saxophone in Bb
1 Baritone Saxophone in Eb
2 Bassoons 1, 2
1 Piano
2 Trumpet in Bb 1
2 Trumpet in Bb 2
2 Trumpet in Bb 3
1 Horn in F 1
1 Horn in F 2
1 Horn in F 3
1 Horn in F 4
2 Trombone 1
2 Trombone 2
1 Bass Trombone
2 Baritone/Euphonium 1
2 Euphonium 2
4 Tuba
1 Double Bass
1 Timpani
1 Glockenspiel
1 Xylophone
1 Vibraphone
3 Percussion 1
3 Percussion 2

Additional parts for Europe

Format

DIN A3

Article

SMP-10-0177

Description

The composition is based on two ancient bridges which have the meaning “pathways to earth and heaven”. That became the main idea of the composition. Both movements of this composition are written about the two bridges built in the 18th century in Bangkok that remain today.

The bridges represent the intermediary of heritages from earth and heaven. Kitti Kuremanee uses this idea to deliver music that combines Western classical music from the late 19th and early 20th-century music along with Thai classical music. The composition is adapted to both music styles. The idea is easy to archive but has artistic and academic materials to study while experiencing this composition.

The composition is written for high school wind bands or those who start to experience classical contemporary Thai music. Figures, idioms, textures, and techniques are made easy to approach contemporary music while becoming familiar with Thai materials.

The composition is based on two ancient bridges which have the meaning “pathways to earth and heaven”. That became the main idea of the composition. Both movements of this composition are written about the two bridges built in the 18th century in Bangkok that remain today.

The bridges represent the intermediary of heritages from earth and heaven. Kitti Kuremanee uses this idea to deliver music that combines Western classical music from the late 19th and early 20th-century music along with Thai classical music. The composition is adapted to both music styles. The idea is easy to archive but has artistic and academic materials to study while experiencing this composition.

The composition is written for high school wind bands or those who start to experience classical contemporary Thai music. Figures, idioms, textures, and techniques are made easy to approach contemporary music while becoming familiar with Thai materials.

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