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Two Symphonic Movements

189.90

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Additional information

Sound File

Movement I:

Movement II:

Sample Score SHOW PDF
Composer Nelhybel, Vaclav
Instumentation Concert Band
Grade 5
Duration

14:00

Genre Concert Music
Series

The Vaclav Nelhybel Edition

Included Parts

1st & 2nd Flute
Piccolo
1st & 2nd Oboe
1st & 2nd Bassoon
Eb Clarinet
1st Bb Clarinet
2nd Bb Clarinet
3rd Bb Clarinet
Eb Alto Clarinet
Bb Bass Clarinet
Bb Contrabass Clarinet
1st & 2nd Eb Alto Saxophone
Bb Tenor Saxophone
Eb Baritone Saxophone
1st & 2nd Bb Cornet
3rd Bb Cornet
1st & 2nd Bb Trumpet
1st & 2nd F Horn
3rd & 4th F Horn
1st & 2nd Trombone
3rd Trombone
Baritone BC
Tuba
String Bass
Timpani
Xylophone
Marimba
Glockenspiel
Chimes
Celesta (Piano 8va higher)

Format

DIN A4

Article

SMP-10-0095

Description

All thematic material of these two contrasting movements is derived from four notes:

D, A, F, Bb

stated at the very opening of the first movement.

In the first, basically slow movement, sections stating the thematic nucleus alternate with sections featuring woodwind solos. The thematic material of these solo passages is not derived from the basic thematic nucleus but is of a free improvisational character.

The second movement, in fast tempo, is a symphonic development of new thematic features of the four-note motif from the first movement.

In the percussion, the hardness or softness of the beaters is indicated in addition to the dynamics. I introduce a five-level scale of hardness of the beater, analogous to the dynamic symbols:

hh – very hard
h – hard
m – medium
s – soft
ss – very soft

All thematic material of these two contrasting movements is derived from four notes:

D, A, F, Bb

stated at the very opening of the first movement.

In the first, basically slow movement, sections stating the thematic nucleus alternate with sections featuring woodwind solos. The thematic material of these solo passages is not derived from the basic thematic nucleus but is of a free improvisational character.

The second movement, in fast tempo, is a symphonic development of new thematic features of the four-note motif from the first movement.

In the percussion, the hardness or softness of the beaters is indicated in addition to the dynamics. I introduce a five-level scale of hardness of the beater, analogous to the dynamic symbols:

hh – very hard
h – hard
m – medium
s – soft
ss – very soft

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