Symphony No 3, Part 3
For What Is Lost

The Audacity of Hope

€149.90

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Sample Score SHOW PDF
Composer Marshall, Christopher
Instumentation Concert Band
Grade 5
Duration

6:30
Genre Concert Music/ Overture
Series

Concert Band Series
Included Parts

Piccolo
Flute 1
Flute 2
Flute 3
Oboe 1
Oboe 2
Bassoon 1
Bassoon 2
Eb Clarinet
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Bb Clarinet 4
Bb Bass Clarinet
Eb Alto Saxophone 1
Eb Alto Saxophone 2
Bb Tenor Saxophone
Eb Baritone  Saxophone
Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
F Horn 1
F Horn 2
F Horn 3
F Horn 4
C Trombone 1
C Trombone 2
C Bass Trombone
C Euphonium (BC)
C Tuba
String Bass
Timpani
Percussion 1
Percussion 2
Percussion 3
Percussion 4
Percussion 5
Format

DIN A3
Article

SMP-10-0047

Description

This overture was commissioned by the Northern Virginia Community College in honor of Dr. Robert Petrella, founder, and director of the Alexandria Band, 1977-2007. He directed the premiere in December of 2008.

The Audacity Of Hope was inspired by my reading of the book of the same name by then-Senator Barack Obama. I found his vision appealing: a new political order founded on the resilience and positive energy of the human spirit.

This music is built around two strongly contrasted themes. The first could be described as energetic yet stoical in nature. It first appears in the form of a fugato by the four saxophones. The second theme gradually emerges from fragments throughout the piece, finally being heard in its entirety as a trumpet solo in the closing minutes. I would characterize it as joyful but also assertive. All the remaining material, including the up-surging opening figure in the clarinets, is derived from one or both of these themes. For much of the piece, they are treated in a polarised manner – with highly contrasted registers and textures. As they move closer together we realize that they are the two sides of the same coin.

Description

This overture was commissioned by the Northern Virginia Community College in honor of Dr. Robert Petrella, founder, and director of the Alexandria Band, 1977-2007. He directed the premiere in December of 2008.

The Audacity Of Hope was inspired by my reading of the book of the same name by then-Senator Barack Obama. I found his vision appealing: a new political order founded on the resilience and positive energy of the human spirit.

This music is built around two strongly contrasted themes. The first could be described as energetic yet stoical in nature. It first appears in the form of a fugato by the four saxophones. The second theme gradually emerges from fragments throughout the piece, finally being heard in its entirety as a trumpet solo in the closing minutes. I would characterize it as joyful but also assertive. All the remaining material, including the up-surging opening figure in the clarinets, is derived from one or both of these themes. For much of the piece, they are treated in a polarised manner – with highly contrasted registers and textures. As they move closer together we realize that they are the two sides of the same coin.

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