Symphony No. 9, Part 4

Beethoven Symphony No. 9 “Choral” Completed in 1824, three years before the composer’s death, Beethoven’s 9th symphony occupies a special place at the summit of Classical literature – the peak of Beethoven’s orchestral output and, for generations...

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AVE MARIA

Anton Bruckner left three pieces titled Ave Maria. The first, for choir and organ/cello accompaniment, was written in 1856. The second, for seven unaccompanied choirs, was composed in 1861. The third, for Alto soloist and organ accompaniment,...

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EL CONDOR PASA

El Cóndor Pasa is an orchestral musical piece from the zarzuela El Cóndor Pasa by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean music, specifically folk music from Peru. Since then, it has been estimated that around the world, more than 4000 versions of...

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THE SLEEPLESS NIGHT

The piece was composed during a sleepless night by the composer. After suffering from insomnia, the composer got up from bed and rushed to compose this piece with surrounding melodies in his head. The composer wants...

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MARCHE SLAVE

The Marche Slave in B-flat minor, Op. 31, is an orchestral tone poem by Pyotr Ilyich Tchaikovsky published in 1876. It was written to celebrate Russia’s intervention in the Serbian-Ottoman War.

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BANGKOK COUNTERPOINT

Bangkok Counterpoint was inspired by Steve Reich’s New York Counterpoint in terms of the thinking process. I have tried to experiment with the completely different elements of music by combining them together. The clarinet is a...

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Srivijaya

Srivijaya or Sriwijaya was a powerful ancient Malay empire based on the island of Sumatra, modern-day Indonesia, which influenced much of Southeast Asia. The earliest solid proof of its existence dates from the 7th century; a...

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Ar-gard (Air)

Ar-gard is a term for “Air” in Thai. This music is about my imagination of the Air that surrounds us in different emotions such as happiness, success, or regret. For me, I feel the air around...

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Saxociety

This composition for the saxophone quartet is written in jazz styles but doesn't require improvisational skills from the performers. However, the players should be familiar with jazz phrasing and articulation. The concept behind the work is that...

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